Dance Informa Magazine
Interviews
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45Bringing positivity and ingenuity to the scroll: Tara Bellardini and Laura June Ness
Hot takes, snarky burns, all that trolling: there can be so much negativity in online spaces. Dance online spaces are unfortunately not...
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17Regional Dance America is alive and well
This past May, the Hilton hotel in downtown Albany, New York, hosted more than the usual lawmakers in power suits. Instead, the...
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189Capezio honors Martha Graham Dance Company with launch of commemorative dancewear collaboration
The Martha Graham Dance Company, one of the most influential forces in the history of modern dance, was honored with the 2026...
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127City of Lights: 42nd Street Tours offers Las Vegas trip
There is a reason Las Vegas is called “The Entertainment Capital of the World.” The city has a huge concentration of live...
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180Female-led companies: Community, curiosity and collaboration
Something interesting is happening in the ballet (and ballet adjacent) world. There are small, female-led companies popping up in NYC and other...
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303Process in practice: Aszure Barton reflects on her upcoming collaboration with 92NY
This May, Aszure Barton is participating in the 92nd Street Y (92NY)’s Women Move the World Harkness Mainstage Series. “It is an...
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259Inside ‘She Dances’: Family, friendship and healing on the competition floor
When you think of the high-stakes, high-stress, often cutthroat world of dance competitions, you probably don’t picture it as the setting for...
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117Laura Colby: Mastering the middle ground of performing arts management
Elsie Management was founded in 1995 by Laura Colby, a Juilliard graduate and professional dancer-turned-arts-administrator. Her career shift took root while assisting...
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113Finding your place as a dancer: A chat with CLI alumna Cadence McBride
The dance world is small, but also large; every city has a dance ecosystem with various entities, opportunities and “big names.” Each...
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102Gen Horiuchi celebrates a quarter of a century with Saint Louis Ballet
Gen Horiuchi is celebrating 25 years as artistic and executive director of Saint Louis Ballet. During his tenure, he has transformed the...
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36Ballet Hispánico Unveils Empowering Spring 2026 Season: ‘Mujeres: Women in Motion’ at New York City Center
Ballet Hispánico New York presents Mujeres: Women in Motion at New York City Center from April 23-26, 2026. Tickets start at $45 and are...
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184The Royal Conservatoire of Scotland offers unique training and opportunities, providing a pipeline of talent to the industry
The Royal Conservatoire of Scotland (RCS) is helping shape the dance landscape in the UK and beyond. The opportunities students receive while...
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136The well-rounded dance educator: Where technique, humanity and longevity meet
In 2026, being a well-rounded dance educator means more than delivering strong choreography or maintaining technical precision. It means developing the student’s...
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200UDO World Street Dance Championships: Where street dance changes lives
For the global street dance community, the UDO World Street Dance Championships isn’t just another competition – it’s a proving ground, a...
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175From Miami to Moultrie: Só Dança’s bold move
Só Dança’s recent move from South Florida to Moultrie, Georgia, represents a pivotal moment in the evolution of one of the world’s...
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351Gerriets: From theater curtains to dance floors, how an international family-run business came to be
The Gerriets company has been involved in the theater and performance industry for 80 years. Originally founded by Hans Gerriets as a...
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226Benjamin Millepied: ‘It’s always about human experience’
It’s a story we all know: young lovers kept from each other because of warring family dynamics, the tragic result of which...
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214Eric Otto guides Toledo Ballet with a steady hand
Eric Otto is part of a ballet dynasty. His mother ran a company and school in Westchester, NY, and four of her...
