Tag Archive | "English National Ballet"

Coping with Competition Stress


Are you preparing for a dance competition? Do you find that you dance well in the studio but nerves often get the better of you when it comes to performing on stage? Dance Informa recently talked to two dance professionals to help you come up with an action plan for dealing with nerves so your talents can shine through.

Alexandra Cownie

Alexandra is a former professional dancer and the author of How To Be a Ballet Dancer. Having performed extensively in Europe, she now lives in Australia where she is a renowned master class and classical repertoire teacher.

What are your top three tips for dealing with stress and nerves at a competition?

“1. While you warm up, think about a time when you danced really well and felt very confident. Visualise how you felt and use that feeling to pump yourself up. Smiling, shaking your limbs dynamically and looking upwards will help you do that.

2. Practice positive thinking. The quality of your self-talk can literally make or break your performance.  Watch out for negative thinking that comes up by watching the other competitors. These thoughts are very harmful to the quality of your performance, so stay positive and be there for yourself.

3. Keep in mind that everyone is nervous and wants to do their best. If you can be calmer than them, with only the ‘good’ stress, you will be way ahead of the competition.”

Dancer and author Alexandra Cownie

Dancer and author Alexandra Cownie

What can we do to combat negative thinking when nervous?

“Think of something funny! You can even have your favourite funny video ready to go on your smart phone (or your mum’s) in case you start to feel too tense. Laughter will help you let go of the unnecessary pressure. Once you feel in a brighter mood, take a moment to refocus on your dance with a short meditation.”

Is there an optimum diet and time to eat leading up to a competition?

“Eating is something that needs to be tested to suit your specific needs. However, here are some tips:

-      Eat a healthy dinner the night before

-      Never skip breakfast, no matter how nervous you are

-      Test in rehearsals when is the best time for you to eat before you go on stage so you can be ready for the big day

-      Drink small sips of water all day long

-      Eat smaller meals and snacks, but eat them more often to keep your blood sugar regular”

What happens when something goes wrong on stage?

“Every single dancer in the world has made mistakes on stage. From memory loss to falling, how you deal with the issue will impact the outcome of the competition. Keep going, keep smiling and focus on what is to come instead of what went bad. As long as you are on stage, you still have a chance to impress.”

As a dancer, did you have any pre-competition rituals or routines?

“I would always visualise my dance routine done perfectly in my head before going to bed the night before and again while warming up before the show. It helped me focus on doing things right instead of worrying about what may go wrong.”

“I would also always take a moment to look quietly at the stage from behind the curtain, take deep long breaths and remind myself why I am doing this and how much I love dancing. This helped me give to the audience, because even in competitions, dance is dance and the judges are your audience – you have to dance for them and not only perform technical moves. That is what makes a real dancer.”

Dancer Aaron Smyth, Jacqueline Kennedy Onassis School

Aaron Smyth performing with Jacqueline Kennedy Onassis School.

Aaron Smyth

Aussie Aaron Smyth is a Genee Gold medal winner who is currently dancing as a guest artist throughout the USA and South Africa, as well as performing with English National Ballet. He has previously worked with American Ballet Theatre II and the Royal Ballet and has been a medallist and finalist in many international ballet competitions.

Skill and artistry aside, what do you think gave you the edge to do so well in competitions?

“I take a lot of pride in my stage presence and charisma on stage and making sure I portray whichever character I am dancing spot on. I think that really sorts the boys from the men.”

Is there a particular win that you are most proud of?

“Yes, winning the Gold Medal at the Genee International Ballet Competition, as well as the Bravo Audience Choice Award. It was a very special win as I had been planning to compete in this competition ever since I was a young boy. Also, hearing about all the previous winners going onto exceptional careers was very inspiring. There was also a lot of excitement as the Genee was on at the same time as the Beijing Olympic Games, so when I got Gold I felt like I did Australia proud. Also, Dame Antoinette Sibley was a judge and she doesn’t give Gold Medals easily!”

What are your tips for staying calm in a big competition?

“To breathe and treat it like a performance. Really just try to have fun and learn from your other competitors.”

Do you have a pre-show ritual?

“Not really, I just like to have a nice warm up, iPod stuck in my ear and stay focused. I also have a special hand shake with my mum before I go on stage.”

How do you spend the day before a competition?

“By this time I am feeling excited, anxious, nervous and stressed. I try to be surrounded by family and friends and try to distract my nerves and have one last run through of my variations.”

In general, do you feel nervous before a competition or performance?

“Yes, I get very nervous before a comp or just a normal performance. I think it’s a good thing, because when you hit the stage adrenaline kicks in and it’s all okay.”

Have you had any onstage mishaps, and if so how did you deal with them?

“YES! In the first round at the USA International Ballet Competition we were dancing the pas de deux from Coppelia and there was a panel of the most prestigious judges from major companies around the world. We weren’t even half way through the pas de deux when the cuff of my costume got caught in the back of my partner’s dress and it was stuck! We had to literally re-choreograph the pas de deux whispering to each other, with me attached to her. We ran off stage screaming ‘scissors!’ and I had to be cut from her costume. Then I ran on for my solo and it was fine from then on. We thought we were going to be cut, however, we ended up winning the Silver Medal!”

Good luck readers! May you perform exceedingly well in your upcoming competitions, learn a lot and enjoy the experience.

Photo (top): Aaron Smyth and Alys Shee compete at Varna IBC 2010. Photo courtesy of Aaron Smyth.

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Quiz – Ballet in Great Britain


1. Which ballet company will you find in Covent Garden?

a) Birmingham Royal Ballet

b) The Royal Ballet

c) English National Ballet

d) Paris Opera Ballet

2. Which ballerina released a series of children’s books called The Magic Ballerina?

a) Darcey Bussell

b) Alina Cojocaru

c) Margot Fonteyn

d) Alessandra Ferri

3. Carlos Acosta is a Principal Guest Artist with The Royal Ballet. Which country is his homeland?

a) Argentina

b) Cuba

c) Mexico

d) Spain

4. In what city was The Scottish Ballet founded in 1957?

a) Glasgow

b) Edinburgh

c) Aberdeen

d) Bristol

5. Which British choreographer created the diverse works Somnambulism, Elite Syncopations and Mayerling?

a) Michael Clark

b) Christopher Wheeldon

c) Sir Frederick Ashton

d) Sir Kenneth MacMillan

6. Who said, “The one important thing I have learned over the years is the difference between taking one’s work seriously and taking one’s self seriously. The first is imperative and the second is disastrous”?

a) Dame Margot Fonteyn

b) Roland Petit

c) Rudolf Nureyev

d) Sir Robert Helpmann

7. The Royal Ballet was founded in 1931 by:

a) Nicholas Sergeyev

b) Sir Frederick Ashton

c) Dame Ninette de Valois

d) Dame Margot Fonteyn

8. Which of the following is not a work by Sir Frederick Ashton?

a) Façade

b) Les Patineurs

c) Western Symphony

d) Daphnis et Chloë

9. By which name was the English National Ballet formerly known?

a) London Festival Ballet

b) Sadlers Wells Ballet

c) Vic-Wells Ballet

d) British Ballet

10. True or false: The Artistic Director of the Birmingham Royal Ballet is Wayne Eagling.

________________________________________________________

Answers:
1 – b; 2 – a; 3 – b; 4 – d; 5 – d; 6 – a; 7 – c; 8 – c; 9 – a; 10 – false

Photo (top): The Royal Ballet’s Federico Bonelli and Sarah Lamb in Alice’s Adventures in Wonderland by Christopher Wheeldon. Photo Johan Persson, courtesy ROH.

 

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The Australian Ballet’s Stunning Principals


By Rain Francis.

In the Australian Ballet’s 50th year Dance Informa is celebrating the company by highlighting three of the Ballet’s Principal Dancers each edition. This edition Dance Informa spoke with Leanne Stojmenov, Yosvani Ramos and Lucinda Dunn.

To catch up on last edition’s interviews with Rachel Rawlins, Kevin Jackson and Amber Scott click here.

Leanne Stojmenov

Playing one of the seven dwarfs in her first ever ballet concert in Perth, four-year-old Leanne ran to the middle of the stage and shushed the audience, in preparation for her fellow dwarves’ performance. Now, having been in The Australian Ballet for over a decade, she has become one of Australia’s best loved ballerinas.

Australian Ballet Principal Dancer Leanne Stojmenov

Australian Ballet Principal Dancer Leanne Stojmenov. Photo by James Braund

When did you become a Principal Artist and what was your first role?

I was promoted to Principal Artist in 2011, and my first role as Principal was the third movement of MacMillan’s Concerto. It was a very athletic and challenging role.

What has been a highlight of your career so far?

Dancing my first principal role, ‘Kitri’ in Don Quixote, alongside my fiancé Marc Cassidy.

What role is high on your wish list?

Giselle!

What is something that most people don’t know about the life of a dancer?

When dancing the lead role in a full length ballet I can go through two pairs of pointe shoes. I am forever sewing new shoes.

When you are not dancing, what would you prefer to be doing?

Sitting on the shores of Lake Wanaka, NZ, with a thermos of coffee and a beautiful sunset.

If you weren’t a dancer, what would you be?

A vet. I love animals. My cat is my therapy.

Do you have a favourite TV series or book?

My favourite TV series is Mad Men. A book that I often read is The Inner Athlete. My ballet teacher recommended I read it when I was training.

Who is your favourite choreographer?

That is such a hard question. There are so many incredible choreographers past and present and we are so lucky at The Australian Ballet to have such a wide repertoire to give us a taste of everything. If I had to choose one, it would be Sir Kenneth MacMillan.

What is the most challenging thing about your job?

Missing my family.

What advice can you give to budding dancers?

Don’t be scared to be yourself. Being yourself is what you have to offer.

What do you love most about your job?

Performing really is wonderful. It is such a personal experience but at the same time you are performing to so many people.

Yosvani Ramos

Born in Camagüey, Cuba, Yosvani joined The Australian Ballet in 2008 as a Principal Artist, after spending nine years in London with English National Ballet.

Australian Ballet Principal Dancer Yosvani Ramos

Australian Ballet Principal Dancer Yosvani Ramos. Photo by James Braund

What’s your first memory of dance?

My first memory of dance is seeing the Cuban prima ballerina Alicia Alonso on TV doing the Black Swan fouettés. I thought it was the most amazing thing I’d ever seen.

What was your first role as Principal?

Franz in Coppelia in 1999, with the English National Ballet. I was 20 years old.

What has been a highlight of your career so far?

Creating the role of ‘Kay’ in English National Ballet’s The Snow Queen. It’s not every day that you get the chance to create a role in a brand new, full-length classical ballet. We rehearsed for six months and it was great to work so closely with the choreographer.

Which character in a ballet do you most associate with and why?

‘Romeo’ in Romeo & Juliet. He is a lot like me; a hopeless romantic. I feel very comfortable in that role.

Which roles are high on your wish list?

‘Lenski’ in Onegin and ‘Colas’ in La Fille Mal Gardée.

What is something that most people don’t know about the life of a dancer?

That is not at all like in the movie Black Swan. We are normal people and we love doing normal things.

The Australian Ballet's Leanne Stojmenov and Yosvani Ramos

Principal Dancers Leanne Stojmenov and Yosvani Ramos in The Australian Ballet’s ‘Coppelia’. Photo by Branco Gaica

When you are not dancing what would you prefer to be doing?

Spending time at home watching DVDs, or travelling around the world.

Do you have a favourite book? Movie? TV series? Band?

My favourite book is The Secret, movie is Pretty Woman and TV series is Grey’s Anatomy. In terms of music, I’m more into solo artists rather than bands.

Who is your favourite choreographer?

Sir Kenneth MacMillan.

What is the most challenging thing about your job?

Working hard and pushing myself every day, but at the same time staying healthy and injury-free.

Do you have a quote or affirmation that helps you through?

Tomorrow will be a better day.

What advice can you give to budding dancers?

Enjoy yourself and make the most of everything. After all it is quite a short career, so make every second count.

What do you love most about your job?

Being in front of thousands of people and becoming someone else for a few hours. Also that amazing feeling you get when you feel you are in complete control of your body while dancing.

Lucinda Dunn

Surprisingly, one of Australia’s most loved ballerinas has never danced the roles of Odette/Odile, despite having been in many performances of Swan Lake. However, after a 21-year career with The Australian Ballet, Lucinda has too many highlights to list.

Australian Ballet Principal Dancer Lucinda Dunn

Australian Ballet Principal Dancer Lucinda Dunn. Photo by James Braund.

Describe your journey with The Australian Ballet so far.

I joined The Australian Ballet 21 years ago in July 1991. I became a Senior Artist in 1995 and a Principal Artist in 2002. I was promoted to Principal in September 2001, to take effect in the new year, but after that announcement Robert Curran and I were dancing Giselle together. We had a wonderful partnership from then on. My first role in the 2002 season was Beyond Forty, in which I danced Suite en Blanc and the Act IV pas de deux from Swan Lake.

When you are not dancing, what would you prefer to be doing?

Spending time at the playground with my two young daughters.

Which character in a ballet do you most associate with and why?

Sleeping Beauty. With two young children, some days I’d like to sleep for 100 years! And doesn’t everyone want to be a princess?

What’s your first memory of dance?

Running across the stage in a turquoise tutu as a ‘baby wave’ when I was four.

What is something that most people don’t know about the life of a dancer?

When it’s good, it’s good. When it’s bad, it’s bad.

If you weren’t a dancer, what would you be?

I haven’t worked that out yet!

Australian Ballet dancers Lucinda Dunn and Paul Knobloch

Lucinda Dunn and Paul Knobloch in The Australian Ballet’s ‘Nutcracker’. Photo by Branco Gaica.

Do you have a favourite book? Movie? TV series? Band?

Book: Love, Wisdom, Motherhood by Jessica Rowe

Movie: Tinkerbell at the moment!

TV: 24

Band: Gypsy Kings

Who are your favourite choreographers?

Marius Petipa, George Balanchine and Christopher Wheeldon.

What is the most challenging thing about your job?

Being injured and not dancing. Also, the concentration and energy needed every minute.

Do you have a quote that means a lot to you?

The more sweat shed in practice, the less blood shed in battle.

What advice can you give to budding dancers?

Try to improve yourself daily.

What do you love most about your job?

Self-satisfaction as the curtain comes down.

Top photo: Dancers Leanne Stojmenov and Yosvani Ramos in The Australian Ballet’s Coppelia. ©Branco Gaica

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English National Ballet’s Teo Dubreuil


By Deborah Searle.

When English National Ballet toured to The Concourse, Chatswood in Sydney last month, audiences were in rapture. The dancers of English National Ballet are some of the best in the world.

One such dancer is young Teo Dubreuil, Artist of the Company, who after starting dancing at age six and training at the Henwood School of Dance and Royal Ballet School, joined English National Ballet just last year.

Dance Informa spoke to Teo in break between performances.

How did you enjoy performing in Australia?

I have loved being able to perform in Australia, it has been an incredible experience. It’s also been really nice performing at The Concourse.

Was this your first visit to Australia?
This is my first time visiting Australia so I have been trying to see as much of Sydney as possible! I would love to come back and dance in many more cities.

What was your favourite ballet to perform and why?

I have only been with the company for five months so I haven’t been able to experience performing any three act ballets yet. I have enjoyed performing Suite en Blanc and Rite of Spring with the company.

What has been the highlight of the Australian tour for you?

The highlight of the tour for me has been performing the Pas de Cinq in Suite en Blanc and feeling the warmth from the Australian public towards the company.

What inspired you to start dancing?

Both of my parents were ballet dancers so I have been around ballet from an early age.

What inspires you to continue today?

For me, it’s the feeling I get when I go on stage. Nothing will ever beat the buzz you get before a performance! I also love how I am able to express myself through dance.

What advice would you give to a young male dancer who’d one day like to join a professional company?

By all means follow your dream, but you have to work very, very hard! Natural talent nowadays isn’t enough.

Since joining English National Ballet in 2011, what has been your highlight so far?

My highlight has been being chosen to be part of the group to come on tour to Australia, as this is my first international tour.

Where would you like to see yourself in 5 years?

In five years I would like to be a leading dancer with English National Ballet or another international company. My goals are to perform all the classic ballets and work with exciting choreographers. I would also love to have a ballet created for me.

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English National Ballet – Diamond Jubilee Gala Season


By Dolce Fisher.

The Concourse, Chatswood, Sydney.
June 2012

It has been years since the English National Ballet toured Down Under. The company’s last Australian performances were the epic tour of Derek Deane’s Arena production of Swan Lake in 1999.

This year, touring with a small team of just 22 dancers, English National Ballet performed a gala in Sydney to coincide with Queen Elizabeth’s Diamond Jubilee.

Opening the gala was American classic, George Balanchine’s Apollo. The title role was danced by Vadim Muntagirov and the muses were performed by Daria Klimentova, Anais Chalendard and Adela Ramirez. The cast tried so very hard to look like a bunch of Balanchine dancers and executed the choreography well, but years of American training to pull of the style perfectly can’t be matched.  The four dancers were technically strong and each of the characters were well portrayed.

Act two, Celebrations, gave the audience a line up of pas de deux.  First was Trois Gnossiennes choreographed by Hans Van Manen. Originally choreographed in 1982 it still came across as a very current piece, despite being 30 years old. It was an extremely sultry dance and ballerina Adela Ramirez captured the intensity so well that one really had to force oneself to look at her partner Fabian Reimair. Set to the music of Eric Satie, the mix of dance and music was quite intoxicating.

Then it was onto some very English ballet with Kenneth MacMillan’s Manon. Dancers Elena Glurdjidze and Arionel Vargas performed the pas de deux from Act 1, scene 2, where Manon and Des Grieux are caught up in their passion. MacMillan’s choreography encapsulates the crazy young love that makes one think that they can conquer the world. If one does not know how the story ends, seeing the pas de deux stand on its own is very enchanting.

Closing Act Two was the classic Black Swan Pas de Deux. Odile was danced by Daria Klimentova and partnered by Vadim Muntagirov.  The role of Odile was played convincingly. Klimentova was very strong in her solo but showed that dancers are still just humans when she had to quickly recover in the middle of the coda’s 32 fouettes. Muntagirov, although technically wonderful, lacked that charisma that one expects from a prince.

Act Three closed the evening with Serge Lifar’s Suite En Blanc. Finally the audience saw the dancers present as a company. With an array of solos, duos and trios, this work showed the company off as a whole.  Lifar’s choreography is demanding on the dancers’ stamina and technique! This time Klimentova nailed her 32 fouettes!

The gala was a wonderful celebration of dance, music and of course Her Majesty’s Jubilee. Even though the company is titled ‘English National Ballet’ the dancers themselves are very international with only two English dancers on this tour.  Let’s hope that we don’t have to wait so long to see the company back in Australia this time.

Photo: English National Ballet’s Anais Chalendard and Vadim Muntagirov in Suite en Blanc.

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English National Ballet’s Exclusive Aussie Season


The world-renowned English National Ballet will tour to Australia for an exclusive season in Sydney at the new, The Concourse, Chatswood, from Friday June 8 to Sunday June 17, 2012.

Tickets are already selling fast as dancers and lovers of dance gather to see the company which hasn’t toured to Australia since 2001.

Under the leadership of Artistic Director, Wayne Eagling, this highly respected European company will bring its top soloists and principal artists, presenting a programme suited to young and old in the intimate 500 seat theatre at The Concourse.

The English National Ballet was established in the 1950s and has since emerged as one of the foremost touring companies in Europe. This internationally acclaimed classical ballet company tours both nationally and worldwide. Founded by two British ballet greats Alicia Markova and Anton Dolin, the English National Ballet grew out of a series of gala performances. Today, with 67 dancers from 20 different countries, they provide a group of dancers who enrich each repertoire they perform. The original 1950s aspiration for the Company, to take popular ballet to the widest geographical audience at a price they can afford, remains as valid today as when first expressed by the Company’s founders.

English National Ballet's Anais Chalendard and Vadim Muntagirov in Suite en Blanc

Recently the subject of the popular BBC reality series The Agony and the Ecstasy the English National Ballet is enjoying an international recognition unheard of in classical dance circles. And it is not only the public who are supporters of the English National Ballet. The prestigious company has enjoyed the patronage of Diana, Princess of Wales and currently HRH Prince Andrew, The Duke of York.

The Australian programme, accompanied by a live orchestra, will open with George Balanchine’s neo-classical masterpiece Apollo and close with Serge Lifar’s spectacular bravura piece, Suite en blanc. These two great classics will frame a selection of favourite pas de deux from Manon, Don Quixote or Black Swan, and Trois Gnossiennes, featuring the company’s stars. Set to an Erik Satie solo piano piece, contemporary choreographer Hans Van Manen’s Trois Gnossiennes, will showcase the great finesse, control and superb classical technique of the English National Ballet dancers.

Suite en blanc was described by its choreographer, Serge Lifar, as “a real parade of stars”. A plotless display of classical technique, with strict emphasis on the perfection of line, the ballet was created in 1943 to showcase the virtuosity and elegance of the Paris Opera Ballet. With its white costumes against an inky black setting, the ballet remains a stunning showcase of dance, as glittering and exhilarating as its first performance nearly seven decades ago.

Don’t miss this unique opportunity to see the English National Ballet. Tickets are now on sale at www.theconcourse.com.au/enb

Top photo: Dancer Anais Chalendard of English National Ballet in Apollo. Photo by Laurent Liotardo.

Published by Dance Informa dance magazine – everything dance in Australiadance auditions, dance news, dance events and resources for dance teachers.

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Angelina Ballerina’s ‘Big Audition’ tours Australia


Our favourite mouse, Angelina Ballerina has returned to Australia by popular demand. Performed by the Royal New Zealand Ballet, Angelina Ballerina’s Big Audition is the perfect introduction for children to the magical world of dance.

Angelina Ballerina’s Big Audition takes audiences on the next step of Angelina’s journey to become a prima ballerina as she prepares to audition for the prestigious Camembert Academy.  This production follows the hugely successful Angelina’s Star Performance.

Angelina Ballerina has been a much-loved children’s character since 1982. Inspired by original illustrations and stories by Helen Craig and Katherine Holabird, Angelina Ballerina’s Big Audition features Royal New Zealand Ballet dancers performing to a recorded arrangement of Tchaikovsky’s music.

The performance is choreographed by the English National Ballet’s Antony Dowson with costumes, based on the original Angelina Ballerina drawings by Wizzy Shawyer, and set designs from Al Riches.

Angelina Ballerina’s creators said that the stage show has real sparkle and magic. “We attended Angelina’s performances several times, and thought it was absolutely beautiful and wonderfully funny. This sparkling and original ballet is a magical theatrical experience for young and old alike,” said creators Helen Craig and Katharine Holabird.

Caught up in Angelina Ballerina’s magic, Dance Informa spoke with some Royal New Zealand Ballet’s star performers.

You’ve toured to Australia for this production. What’s your favourite thing about touring?

Tarrah Burns
I’ve never toured before, so this is something new and exciting for me, but I’m really excited about visiting all the beautiful and amazing locations across Australia and New Zealand.

Matthew Carey
Getting to see new and interesting places.

Rebekha Duncan
Getting the opportunity to be able to perform in new locations and to different audiences.

Where did you train?

Tarrah Burns
New Zealand School of Dance and Victorian College of the Arts Secondary School.

Matthew Carey
Australian Ballet School and Western Australian Academy of Performing Arts.

Rebekha Duncan
New Zealand School of Dance

Angelina Ballerina brings children’s stories to life on stage. What’s your favourite children’s book?

Tarrah Burns
Harry Potter. I was the same age as Harry, Ron and Hermione as the books were being published, so we practically grew up together!

Matthew Carey
Harry Potter!

Rebekha Duncan
The Winnie the Pooh series.

In Angelina Ballerina you have to dance as mice. What are your favourite animals?

Tarrah Burns
Meerkats! Ever since I was young and watched Timon on the The Lion King, they have always been my favourite!

Matthew Carey
The albino Peacock, it’s so beautiful and majestic.

Rebekha Duncan
Chihuahuas, as they are tiny and easily transportable.

Angelina Ballerina delighted Sydney audiences in late December and is now touring to Brisbane and Melbourne for January performances.

Brisbane
January 7-13
Playhouse, QPAC
www.qpac.com.au

Adelaide
January 17-21 
Adelaide Festival Centre, Dunstan Playhouse
www.adelaidefestivalcentre.com.au

Melbourne
January 24-28
The Arts Centre
www.artscentremelbourne.com.au

Canberra
February 1-4
Canberra Theatre Centre
www.canberratheatrecentre.com.au

Photos by Patrick Baldwin

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