Tag Archive | "dance workshop"

Escape Winter with World Dance Movement


By Katherine Moore.

Summertime in the Northern Hemisphere is rarely a time of rest for aspiring dancers. Instead of lounging by the pool, young dance students often opt to spend weeks, possibly months, at intensives and workshops hosted by top dance companies, where students use the long, sweaty days of summer to learn and push themselves toward bettering their craft. These intensives attract students from across the country, and in some cases, from across the globe. Dancers from Australia even venture overseas to escape the winter blues in search of an exciting dance experience.

World Dance Movement is an international workshop event that takes place in Castellena Grotte, Italy, where students have the opportunity to invest in their dance future and lounge by the beaches of the Adriatic Sea. As an institution dedicated to uniting cultures through dance, WDM brings students from 25 countries to study with internationally-renowned dance teachers and choreographers.

Founded on the idea of creating a global forum where dancers can grow both artistically and culturally, WDM’s overall mission is “to become a leader in the international dance scene – a respected source for bridging cultures through dance,” according to Michele Assaf, founder and director of WDM.

Dana Foglia's Hip Hop Class at World Dance Movement

For three weeks, from July 8-29, students from the age of 6 though 17+ will study a myriad of dance techniques and styles while residing in the beautiful Puglia region of Italy. The curriculum includes standard offerings such as jazz, ballet, and contemporary, but also more unique topics such as acrobatics, Yamuna Ball Rolling, and the opportunity to participate in workshops/seminars about auditioning and career development.

Assaf is especially excited that Cirque du Soleil will be joining them as a workshop partner this year. “WDM dancers will have an opportunity of a lifetime,” Assaf said. “The Cirque du Soleil senior artistic talent scout will hold dance workshops and seminars, as well as visit select WDM classes in search of future Cirque du Soleil artists.”

With in-numerous summer intensives to choose from, what makes WDM a distinctive option for aspiring dancers is the versatility of so many different teachers and choreographers from around the globe at one event.  The faculty roster includes the likes of Desmond Richardson, Dana Foglia, Jason Parsons, Igal Perry, and many, many more.

WDM strives to keep class sizes small, which gives students the rare opportunity to interact intimately with international choreographers and their fellow students, many of whom will be speaking different languages.

David Marquez, a Broadway choreographer, director, and WDM faculty-member, mentioned the importance of gaining this international perspective as a young dancer. “Exposure of any kind is helpful, in anything, specifically with dance. Dance is such a universal thing. It comes from everywhere and belongs to everyone. Therefore, those who are doing it in America differ from those who do it in Istanbul, or Lisbon, or Sydney. And creativity is like perspective, everyone has one, and everyone’s is different. “

David Marquez

The opportunity to gain new perspectives on dance is furthered at the conclusion of each week of the event, when families and teachers gather to watch students perform what they have learned in an outdoor gala.

WDM gives over $65,000 USD in international dance scholarships to ease students’ and parents’ financial burden of taking part in this artistically and culturally-immersive opportunity.

Past students have felt that WDM’s unique location, international faculty, and overarching goal of bridging cultural gaps through dance, creates a summer filled with inspiration.

“On top of being in one of the most beautiful places in the world and being surrounded by amazing people from all different countries, you are taking classes from a diversity of the most talented, giving teachers. I made so many close new friends who now seem like family,” one student said.

Similarly, Marquez, who described himself as “the musical theatre, Broadway expert in the WDM family,” enjoys teaching his passion just as much as he relishes the close time spent with students, parents, and teachers from around the world.

He said, “For a week or three you are doing what you love, in a beautiful setting, in the company of other people who love doing the same thing you do, while learning about different cultures, making new friends, speaking new languages, and sharing an experience that is un-duplicated anywhere in the world.”

Top photo: Students take class with Desmond Richardson at World Dance Movement Italy. All photos courtesy of World Dance Movement.

Published by Dance Informa dance magazine – everything dance in Australiadance auditions, dance news, dance events and resources for dance teachers.

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Graeme Murphy Choreographic Workshop


By Rain Francis.

February 26 2012.

Last month, Melbourne dance students were treated to a very special experience. The Australian Institute of Classical Dance held a workshop, led by master choreographer Graeme Murphy, and his wife and Creative Associate Janet Vernon. Held at the beautiful Australian Ballet Centre studios, this was a rare chance for the next generation of dancers to learn from one of the country’s most treasured creative teams.

The workshop began with a talk by Mr. Murphy. He discussed questions such as ‘what is choreography?’, inviting answers from the dancers as well as sharing his own ideas with us. He also talked about his most recent work, The Narrative of Nothing, which is part of The Australian Ballet’s Infinity season. Having seen the show only the night before, this was for me a fantastic insight into a brilliant work. Personally, I would have been happy to sit on the Tarkett for hours and just listen to Mr. Murphy talk. He was so personable, engaging and articulate, with a sense of humour everyone warmed to.

When we did stand up, we tried a few simple group exercises, under the direction of Mr. Murphy. He instructed us to find a horizontal shape, then to turn it to face the back, moving as a group. We experimented with different levels and speeds, and with the spatial arrangement of the group. Next, we learned a very short movement sequence, which we then had to decipher in retrograde. Spread out in a line across the room, we moved through the sequence in a canon, then reversed it, and again played around with tempo. These simple exercises illustrated the effectiveness of playing with the elements of movement, and the endless possibilities available to the choreographer.

After a brief lunch break Mr. Murphy talked about the importance of linking steps; about the pathway between one movement and the next. We were asked to come up with three separate movements in only five minutes. The next instruction was to find ways to link them together to form a phrase. After some time working on this idea, we were asked to present our phrases one at a time. This was quite a daunting task for many of the younger dancers in the room. I found that a good approach was not to think about the fact that I was about to perform solo in front of Graeme Murphy and Janet Vernon. Both of them made observations on everyone’s phrases, giving feedback and asking for repetitions and variations. They were encouraging and sincere in their reactions, which was inspiring.

Although fleeting, this workshop was an unforgettable way to spend a Sunday. To meet Graeme Murphy and Janet Vernon was in itself a treat, and to gain even a fragment of insight into their working methods was of great value.

Formed by Marilyn Jones OBE, the A.I.C.D. is a non profit organisation to assist teachers and students of classical dance in Australia. It is run by a devoted band of volunteers headed by Dame Margaret Scott, the founding Director of The Australian Ballet School. The programs the A.I.C.D. produce are designed for the particular needs of dancers in Victoria. Their next program is a series of adult ballet classes given in the studios of The Australian Ballet and taken by principal dancers of The Australian Ballet. All monies raised go toward funding a Choreographic Showcase to help promote new choreography.

Photo of Graeme Murphy by Lynette Wills.

Published by Dance Informa dance magazine – everything dance in Australiadance news, dance auditions & dance events.

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2011 Australian Dance Festival!


16th– 18th Sept, 2011
Sydney Olympic Park Sports Centre

With dance workshops, performances and dance competitions, the  Australian Dance Festival at Sydney Olympic Park promises to be a celebration of Australia’s best in dance.  Over the weekend you’ll be taught by the Best of the Best of the Australian Dance industry. 

The biggest names in the Australian dance industry have taught at the ADF -  Jason Coleman (who is also patron of the event), Kelley Abbey, Sarah Boulter, Debby Ellis, Christine Denny, Nathan Wright, Project Moda and the Squared Division, just to name a few.

“We will be bringing back many of these great instructors, and will also showcase new and emerging talent.” Says Charlene Carter, the newly appointed artistic director for the 2011 Australian Dance Festival.  New instructors to the line up include:

  • Tony Czar (choreographer to Britney Spears, and veteran instructor with SourceDance),
  • Paul Malek  (Founder & Artistic Director of Collaboration -The Project)
  • Chris Horsey (Co-founder of TapDogs -Winner of the Fred Astaire International Tap & Jazz Championship)
The Australian Dance Festival though is about much more than just the workshops.  “As much as we want to inspire dancers with the best instructors and choreographers, the event is also about bringing the entire dance industry together, and providing opportunities for dancers to perform on an amazing stage”, says Festival Founder and director, Angela Lau.

The Australian Dance Festival is providing opportunities for dance schools, professional dance teams, and soloists to perform on a custom made dance stage at the Sydney Olympic Park Sports Centre.  On Friday 16th September, 15 amateur dance teams will compete in “Australia’s Best Dance Crew” to win cash prizes to the tune of $7,500.

“Historically, we have shied away from introducing a competitive aspect to the event, as we don’t want to be in the business of saying one dance school is better than another. After extensive consultation with people in the dance industry, we have decided to put a twist on the team competition by awarding $2,500 for the Best Choreography, Most Entertaining, and Most Technically Excellent instead of the traditional 1st, 2nd and 3rd. It also means that the judges for the competition will have an easier time, as the competing teams will be dancing different styles so that we have a more diverse show. We are really excited about this new addition to the ADF, and we can’t wait to see what the dance schools and crews will come up with”,  says Angela Lau.

Jason Coleman, ADF Patron

Dance schools who don’t want to compete can still perform at the event as part of “The Open Stage – A Celebration of Diversity” on Saturday afternoon( 17th September).  This was a concept suggested by Jason Coleman as he felt that it was important for every dance school to have the opportunity to be on stage.  The Open Stage is also part of the Australia’s Dance Festival’s mission to raise funds and awareness of The Butterfly Foundation-  a charity helping Australians to overcome eating disorders and negative body image.  Proceeds from the ticket sales to Open Stage (just $10) will be donated to The Butterfly Foundation so that they can provide education and training to dance teachers on early intervention for students they suspect may have an eating disorder.

On Saturday night, the Australian Dance Festival will run the Dance Around The World Solo Competition  to recognize  up and coming talent in our industry.  In order to compete in the solo competition, dancers will need to participate in the workshops on Saturday.  The instructors will choose the best dancer from each workshop (15 in total) and they will have to dance a 30 second solo on stage.  The winner will receive:

  • One return airfare to Los Angeles
  • 14 Day Sourcedance Hollywood Tour which includes:
  • Hotel Accommodation - 13 Nights (share 4 per room)
  • Ground Transportation to all scheduled HOLLYWOOD TOUR events
  • The opportunity to perform in the Choreographer’s Carnival Ball
  • Professional designed costume for your performance at Carnival
  • Seminar and audition with LA’s most prestigious Dance Agency – MSA
  • 2012 Hollywood Tour Tshirt
  • Dinner Party
  • Universal Studios Admission
  • Laser Tag Admission
  • 2012 Hollywood Tour DVD

The aim of the Australian Dance Festival is to provide an outlet to show our RESPECT to those who have succeeded in the Australian dance industry by getting them to teach workshops – which will  INSPIRE a new generation of dancers.  Through the group and solo competitions, we aim to MOTIVATE dancers to be the best they can be, and provide OPPORTUNITIES for them to travel and learn.

Visit www.australiandancefestival.com.au for more information and to register today!

Video: Courtesy of youTube.
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