| D: So how did you make
your way into the legendary Martha Graham Dance Company?
S: Before Martha Graham I danced at Alvin
Ailey American Dance Theatre. I auditioned for a scholarship and
was blessed enough to receive it so I moved to New York. It was
a big shock to the system. I went from taking 5 dance classes a
week to 18! I lost 20 pounds! It was very intense. I shared an apartment
with many other dancers, so it was a real experience.
D: So was Alvin Ailey American Dance Theatre your stepping stone
to Martha Graham?
S: Yes, I was promoted to the
Workshop Company and then the Junior Company at Alvin Ailey. I was
touring with the Junior Company when I was offered a contract at
Martha Graham. I was a scholarship student at Martha Graham and
the General Director approached me and asked me to learn one of
Martha's ballets - the Yellow Variation of Diversion of Angles.
I then spent a month learning and rehearsing it and performed it
to Martha - I was very excited to be given the opportunity to perform
to Martha and did not expect anything out of it. Although, to my
delight I was offered a position in the company! It was a dream
come true.
'My first international
tour was actually to Australia!'
D: What was it like to work under the legendary
Martha Graham, known as the mother of modern dance?
S: It was an amazing experience.
There were five fantasy companies that I dreamed about joining when
I moved to New York and Martha Graham was one of them. When I was
offered the position it was very clear to me that I wanted to stay
and learn what I could from the amazing woman. I learnt the valuable
and challenging Martha Graham technique, I technically improved
and grew from strength to strength, plus I got to travel a lot.
It was a rich experience. I was lucky enough to be under Martha's
guidance for the duration of my career at her company, as she died
just three weeks after I left the company.
I still do guest teaching at
the Alvin Ailey and Martha Graham Schools of Dance. I was actually
teaching at Martha Graham just before coming to Australia.
D: So what were you teaching here in Australia
at the 2007 International Summer School?
S: I was teaching modern and contemporary
dance. I focused mainly on contemporary dance, rather than modern
technique as the dancers were predominantly strongly ballet trained,
not modern trained. I really enjoyed it and the students were very
talented.
D:
So what is very perception of young Australian dancers?
S: All of the students have been a pleasure
to teach. They have so much focus and energy and they were very
eager, really embracing the work.
D: Did you notice a difference in style and technique between
American and Australian dancers?
S: Dancers have very strong technique here.
It seems that RAD Ballet is serving Australia well. A lot of the
dancers at the International Summer School had very good training
and well formed legs and feet.
D: So you have enjoyed your time in Australia? Are you planning
to come back?
S: I have loved it! Australia is wonderful.
I would love to come back, I'd come back in an instant. The International
Summer School was such a success, so I hope that it will be held
in 2008. I would love to come back for it.
D: Finally, do you have any words of wisdom for young
dancers who want to go professional with Modern dance?
S: These days dancers need to be prepared
to move about a lot and do freelance work. They must be aware of
that. I feel that it is important to realise that the journey is
just as or even more important than the destination. You need to
relish the process and take every class as a very important part
of the journey. Your time in the studio is so precious. We need
to remember that. Be process driven not product driven!
'the journey is just as or even more important
than the destination. You need to relish the process and take every
class as a very important part of the journey. Your time in the
studio is so precious!
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