Tag Archive | "David Fernandez"

An Evening with Some Dance Company


Choreographer David Fernandez bids adieu to New York with ‘Some Dance’

By Laura Di Orio

One rehearsal with choreographer David Fernandez is like a party – his energy is contagious, his humor non-stop, and his work makes his dancers want to dance. So imagining a string of rehearsals and 60 professional dancers culminating in one evening of Fernandez’s work seems unreal – like some giant dance party.

On February 27, 2012, at New York City’s El Teatro at El Museo del Barrio, Fernandez will present a collection of his work as he bids adieu to New York before relocating to London to be with his children. The performance will feature friends and dancers with whom he has worked from New York City Ballet, American Ballet Theatre and NYC’s freelance dance community.

Altogether, Fernandez calls his project ‘Some Dance Company’ – a group that will simply gather together for the sake of the joy of dance. “We are here to dance,” Fernandez says. “Just press play and we will dance…a lot!”

In the early fall of 2011, freelance dancer Kimberly Gianelli and a friend first conceived the idea to celebrate Fernandez and his work in New York before his move. What began as an event that involved 18 dancers in a 180-seat theater has since blossomed into a performance of nearly 100 dancers – about 60 professionals and 40 of Fernandez’s students – and will now be housed in the 600-seat venue of El Teatro. Gianelli, a first-time producer of such an event, did the bulk of the fundraising on Kickstarter.com and used facebook as a means to spread the word.

“I want David to embrace this opportunity and present his work with the integrity it deserves,” Gianelli says. “I want the audience to walk away having seen a performance that made them feel entertained and happy, and to have introduced them to a collection of incredible dancers and a kind and talented creator.”

Fernandez was born in Mexico City and trained at the Centro de Arte y Ballet and later Giordano Jazz Dance in Chicago. He has choreographed works for Dance Theatre of Harlem Ensemble, New Jersey Ballet, Opera North, Staten Island Ballet, and Westchester Ballet Company, amongst others. He has also been commissioned to create works for such ballet stars as Ask La Cour and Joaquin De Luz, both of whom will perform in the Some Dance Company performance.

Fernandez describes his choreography as “a very simple dance vocabulary that can range from classical pieces to modern works, with a focus on musicality. I don’t like to make heavy statements, have a super philosophy, try to change the dance world or fall victim to the pressure of having to say something very smart,” he adds. “They are quite simply pieces focused on just dance.”

ABT's Luciana Paris and Argentine tango dancer Claudio Asprea, who will perform a tango number at the February 27 performance. Photo by Renata Pavam

ABT’s Luciana Paris says she looks forward to dancing at this event. “David has always been about having fun,” she says. “Some Dance Company is a group of dancers who were touched in some way by his potential, his drive, his inspiration, and his artistry, who want to dance in celebration of that.”

The current roster – including La Cour, De Luz, NYCB’s Gonzalo Garcia, Amar Ramasar, Chase Finlay and Savannah Lowery, and ABT’s Luciana Paris, Maria Riccetto and Nicole Graniero – is proof that dancers enjoy working with Fernandez. On a Monday night, which is, for many professional dancers, a day off, they will instead be donating their time and talent in his honor.

“David breaks through the limitation of choreographer and learns everything he can about his dancers – inside and out,” says Lowery, who will dance in Fernandez’s White Shirt, Black Tie, Black Pants. “He is a friend in the most loyal sense and inspires his dancers through his friendship and love of the art.”

Garcia, a NYCB principal, agrees. “He is a great guy, who I would hang out with and talk about life and ballet for hours,” Garcia says. “I love to be able to support a new talent who is so excited about his work and dance in general.”

“Professionals recognize his artistry,” Gianelli says. “David is so musical and provides a dancer an opportunity to explore so many different types of movements. His work has a sense of humor and a light-hearted nature that brings out a sense of joy. It is also quite challenging and demands a lot of stamina from the dancer. It’s like a puzzle piece that always fits together so seamlessly.”

“I have no words to describe the overwhelming feeling that I have from this event,” Fernandez says. “To know that all my dancers, friends and students have collaborated to make this possible and that they like to dance my pieces is the biggest honor that I can ever have. Because it comes from the dancers it is so special. Without them I’m nothing. I could have many ideas, but no dancer, no choreography and no fun.”

As a way to give thanks to the dancers for their time and energy, Fernandez has decided to donate all net proceeds from the February 27 performance to Career Transition for Dancers, an organization dedicated to providing a variety of resources to dancers.

To purchase tickets to “Some Dance Company: A David Fernandez Celebration”, featuring about 14 of Fernandez’s works, some old and a couple new, visit his website at www.davidferndance.com/tickets.htm.

Top photo: NYCB Principal Joaquin De Luz in rehearsal with David Fernandez

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The Latin Choreographers Festival


Baruch Performing Arts Center, New York City
August 2011

By Laura Di Orio

In its fourth year, The Latin Choreographers Festival is evidently evolving. This year’s program, curated by its founder and director, Ursula Verduzco (who also choreographed, danced and created costumes for pieces on the program), was expansive in its dance genre, musical choices and feel. It reaffirmed that every artist has a voice, has something to say, and should be given the opportunity to do so.

Works by 12 choreographers of Latin descent, and one by Aszure Barton, this year’s chosen non-Latin choreographer, were featured at New York City’s Baruch Performing Arts Center, a new home for the festival. Some of these names were new to me, while others I was familiar with, but in all I was greatly in awe of the choreographers’ dedication to their work and of the dancers’ commitment to it as well.

Steven Gray and Jennifer Pray in Eloy Barragan's 'Some Day'. Photo by Rachel Neville

A favorite, ‘Some Day’, choreographed by Eloy Barragan, and danced beautifully by Steven Gray and Jennifer Pray, blew me away. The pull between ‘Some Day’s’ softness and passion made you feel for the couple, clad in neutral, muted tones, during their times of loneliness and of harmony.

‘Maria’, Antonia Urzua’s work, featured passionate partnering between dancers and also between music (it’s set to a fusion of Tracy Chapman and Arvo Part, which worked unexpectedly well). At one point, one dancer lifted and swung another via a back brace with handles. The characters became, in more ways than one, less attached, and it was relationship full of reaction.

Another highlight was David Fernandez’s ‘La Danza del Fernando’, a dance with a strong undercurrent of narrative story and, at times, elements of humor, intrigue and surprise. Roberto Lara made for a stunning hero, and it was nice to see Fernandez on the stage as well.

Verduzco and Fredrick Davis were technically strong and funny in gestural dialogue in Benjamin Briones’ ‘Lights On’. And Alejandro Chavez’s ‘Triangulo’, with three nearly identical men in appearance and dance style, told the story of an intense love triangle. Music by Fazil Say accompanied it well, telling the story alongside the movement, and the moments of stillness were just as powerful as the most energetic ones.

Rounding out the program was Barton’s ‘Blue Soup’, with a diverse crop of dancers from The Steps Repertory Ensemble, all dressed in business suits. The piece was smart, funny, and certainly polished.

Aside from a few awkward lighting transitions (a couple of pieces were also unfortunately too dimly lit), and a somewhat lengthy program (although I’m sure it was tough to narrow it down), Verduzco showcased a batch of insightful artists. I’m excited to see what’s in store for next year’s Festival.

Top photo: Ursula Verduzco and Fredrick Davis in Benjamin Briones’ ‘Lights On’. Photo by Rachel Neville

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