inside not just a show but a culture.” What that means is
costumed dancers scattered among the audience, with the jazz influenced dance routines onstage being interspersed with apparently random outbreaks of contemporary dance and live theatre.
As Jo explains, “In this way our audience will get to see that a dancer is part of a very human world and that behind the shimmer of entertainment there’s this extraordinarily rich and dramatic world of ego, rivalry, teamwork, insecurity and great passion.”
It’s an ambitious project but one which dovetails neatly with MTL’s ethos. When Jo started the company in 2004 she wanted to break the mould and blur the often harshly drawn line between professional and non-professional dance.
She also wanted to dissolve the notion that dance is somehow an exclusive pursuit.
“Almost everyone dances,” she says. “Dance is everywhere, not just on the big stage or on TV. Y’know, if you look, you’ll find it’s all around you.”
Black Coffee puts this idea in motion, surrounding the audience and infusing the entire space with the dance, bringing the audience inside the choreography. “Just like a good coffee, that involves taste, smell and ritual and which gives you a bit of a buzz, this production wants to surround the senses and create the excitement of being part of something.”
Black Coffee will premiere in March 2009 as part of the Adelaide Fringe Festival.
For more information on Move Through Life Dance Company visit www.movethroughlife.org.au
|